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June, 2011

  1. Hear Brandi Carlile Here

    June 30, 2011 by DGrantSmith

    Brandi is one of my all time favorite artists. Her voice, her songwriting, her composition, everything breathes excellence. The more I listen to her music, old and new, the more I appreciate it’s beauty and power. She’s done something for singer-songwriters that take most legendary artists their careers and lifetime to accomplish. And all you have to do is listen to discover it for yourself.

    Here you go.
    Click on the Play Button inside the graphic to hear the music.

    Get a free track below on NoiseTrade.


  2. Tunes For Tuesday

    June 28, 2011 by DGrantSmith

    With it being the week before the July 4th holiday, I admit it’s a little hard to trudge through and get stuff done. But in all the reading I have to do for work as well as writing, one of the best companions are a few great tunes.

    So here’s a mix of some great tunes for your Tuesday. Some are new, some are older, some are funny and some are just sweet.

    Enjoy.

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    Brooke Waggoner-Live For The Sounds
    Her new album is called Heal For The Honey. Her voice flows perfectly with her indie rock presence and the seasonings of instrumentation sprinkled throughout the track. She’s giving away her album and you can pick it up for yourself by going to her website.

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    Kina Grannis-White Winter Hymnal (Fleet Foxes Cover)
    In gearing up for our annual cover series, I’ve been listening to a ton of cover songs from all over the place. There are some great resources for others who enjoy cover songs as much as I do. For me, a great cover is one that takes the original brilliance of the song and reinterprets it in either a new style or with a new voice. To me, tribute songs are kind of a waste. A tribute song is a cover that is done in the exact same style, tempo, and voice (or feeling) of the original. The only difference between a tribute song and the original is the artist performing. Rarely are there differences in sound. For my time and energy, I won’t waste either on a song that is exactly the same as the original. If you want to hear some great covers, check out Cover Lay Down, Cover Me, and do a search for Cover on HypeM. You won’t be disappointed. Our cover series kicks off on July 9th.

    Speaking of covers, this one has been in my head for over a week. Iron & Wine is brilliant, and it also features Marketa Irglova of The Swell Season (from the film Once). Check this out and experience it for yourself.

    Iron And Wine covers George Michael

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    Weird Al Yankovic- Your Horoscope For Today
    This tune comes from Weird Al’s Running With Scissors release from several years ago. I recently got a copy of it and the whole thing is awesome. I haven’t yet picked up his newest album Alpocalyspe, but I look forward to acquiring that soon. For this song, he is not only making fun of the horoscope itself, but mostly people’s obsession with having to know what is going to happen to them before the event takes place. Laugh along as the listening experience continues.


  3. Summertime Tunes.

    June 24, 2011 by Meagan Freeman

    There is no arguing, it’s summertime. For those that don’t agree, go stand outside for ten minutes in a sweatshirt. Okay, that’s a bad idea, don’t do that… just take my word for it.

    Summer is a period of time that people long for. Summer means no school, vacations, relaxation, and many hours of pool time. With the importance summer brings, it holds its own genre of music. There are many songs that are synonymous with the season. As I take refuge from the heat, I thought I would share a few songs that remind me that it’s “summertime and the livin’ is easy.” (Can you name that song?)

    “School’s Out” by Alice Cooper

    This rock song captures the excitement of a grade school child with the last day of school and combines it with the epic talent of Alice Cooper.

    “Under The Boardwalk” by The Drifters

    I’m pretty sure I have never been any near the underneath of a boardwalk. But this song has you tapping your toes and fills your head with thoughts of frolicking on the beach. Okay, maybe your not a “frolicker”. It still makes you yearn for sand between your toes.

    “A Hard Day’s Night” by The Beatles

    As a Beatles fan, I had to add this one. This tune reminds us working class folks to take a little time to have some fun.

    What’s your favorite summertime anthem?


  4. Great Music Is Its Own Translator

    June 21, 2011 by DGrantSmith

    Santana performs with Mana in 2000

    Last week I had that dream about The Boss playing in my town. That was awesome. In it I remember hearing Springsteen play his guitar and practice You’ll Be Coming Down.

    Last night I had another dream with a song in it, one I heard in the dream. It was playing in my head when I woke up. It’s been in my head all day. That’s awesome too.

    What’s strange though is that it’s a song in Spanish. I don’t speak Spanish. I understand a little of it, mostly from the 4 trips to Mexico I’ve been on for a week each time and being inundated in the culture and language. But I’m not in the practice of speaking the language regularly, so most of what I understand are themes and concepts (love, affection, etc). Needless to say, I don’t comprehend much of the song in my head. But it sounds great so I don’t really care.

    The track is called Corazon Espinado, by a collaboration of one of my all-time favorite bands Mana with Santana. It may sound weird that one of my all-time favorite bands is Mana, since they’re a Mexican rock icon and all their songs are in a language I just confessed to not understanding or speaking. Yeah that is weird I guess. But music is a language that can be translated by any tongue or nationality. I can interpret great sound, we all can. If a band uses instruments, rhythm, and melody in a powerful way that gets your toe tapping, your head bobbing, your fingers drumming along with the beat, and your mouth singing along, that’s a powerful language that doesn’t necessitate a verbatim translation of lyrics.

    Check it for yourself. And comment on some songs or artists you don’t understand lyrically (because of language). Here’s the Mana and Santana track.

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  5. Escape The Heat With Music

    June 18, 2011 by DGrantSmith

    Certainly if you live in Texas you’re probably sick to death of the scorching heat wave. Where we live in Clyde (and Abilene down the road), it’s been over 100 degrees for 2 weeks, no rain, few clouds, and extra oppressive outside. It’s almost unbearable, which has put many of us in this heat-induced stupor. My wife blogged about it here.

    Inevitably, the weather has given us all a fever, and the only prescription is being indoors, hopefully with some music. I’d encourage you to check out artists like Josh Garrels who has a sweet new folk album out that you can pick up for free. Click here to find out more.

    And if you want to extend your time inside and away from the blistering sun, you’ll easily get wrapped up in all the different artistic and expressive entries at Lost At E Minor. I spent about 30 minutes swallowing up just some of the architecture. But there’s also cool art, music, food, and other fun stuff from all over the place.

    And if you’re available, we’re airing our interview and acoustic set with Andrew Belle on our syndicated radio stations today. Go to our Facebook page for station details.

    The pic at the top comes from a cool art blog called Beard Is The New Black. You can read up on the art and more here.


  6. Dreams and Reality

    June 16, 2011 by DGrantSmith

    Usually I don’t remember what I dream. But last night I had a dream that was both good, and one that I remember. All the details escape me, but the gist of it was the Bruce Springsteen was going to be doing a show in Abilene at The Paramount, and I was helping set it all up. In getting all the equipment and pieces together, Bruce was running through his setlist and I noticed he’d put a few songs on there that were never popular for him, but songs I really like. You’ll Be Coming Down and Long Walk Home were two of them. He asked me if I could play harmonica and I said no. I can’t make anything sound right in a harmonica. He said that’s ok, that he’d play the harmonica (phew!) and asked if I’d play guitar on You’ll Be Coming Down. I was surprised and ecstatic at the same time. Holy crap, Springsteen wants me to play guitar with him on stage?!? So I spent the rest of the dream getting ready for that song. I do play guitar but I’m not the caliber musician to be on the same stage as a rock legend. I think I woke up right after that part, of practicing that song and looking forward to the show. And I do remember wondering how his saxophonist Clemons was doing, because somehow in the dream I knew he’d been in the hospital. Wild.

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    I share that because it was a good dream, and those are fewer and far between than they used to be. I don’t know why. Things aren’t depressing in my life or anything like that, it’s just that I don’t recall having good dreams often. Plus, I’m a huge fan of The Boss, so that plays on it too. I’m not going to think too hard about what the dream means, just take it as a good thing to wake up with.

    Andrew Belle performs with The Appetizer at Flyboy Studio

    But we are featuring some great sessions with artists that came into town to play shows over the past few months. We featured our session with William Fitzsimmons last week. This week we’ll showcase our fun time with Andrew Belle and Graham Bechler. I’d become a fan of his music a few months before we booked the interview, and had really been playing his album The Ladder on repeat leading up to our session. I was listening to it so much because it’s a great album, with a lot of different feels in the music, not just the standard 4/4 folk or rock tune. He has a few songs that have a waltz touch to them, Static Waves in particular. The recorded track features the talents of indie artist Katie Herzig. The live acoustic song is still cool, but lacks the waltz nature that record owners are used to hearing. Still, Andrew played a great show at Monks Coffeehouse, and our session at Flyboy Studio was excellent as well. That’s what we’ll be presenting on the next episode of The Appetizer. This track is called My Oldest Friend and it’s about a big confrontation he had with his oldest childhood friend that led to a fight and a disconnection in their relationship.

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    Looking to the next few weeks, I’ll give you portions of a long and very enjoyable conversation I had with George Pendergrass on April 1st. George and I have become good friends over the last several months, and I’ve learned a lot from him and his experiences in music and life. George is a former member of the group Acapella, he’s toured the world and performed on stage with U2. But he’s also one of the most down-to-earth people I know. We talked about transition in life, about teaching young generations about the reality of life and success, and the power of music. Plus, Elliott Park and George recorded a track together. It’s really powerful and that’s what’s on the show on June 18th.

    And we’ll close out the month with our session with Matt Morris. That was a really cool and fun experience and it was so much more than just an interview and some acoustic songs. I got to spend time with a really great musician and fantastic human being and my lovely wife got to be apart of it too. Plus we had a magnificent culinary experience at Bonterra Blu. All that coming up June 25th.

    That’s a little insight into me and a small preview of what’s coming up on the show. Enjoy the music. If The Boss came to Abilene, would you all show up?


  7. The Music in the Movies

    June 14, 2011 by Meagan Freeman

    I love a good movie, especially when it has a really good soundtrack.

    Or, even when the music from a movie is so catchy that it get’s stuck in your head for days… love it.

    Anyways, it got me thinking about those songs, the ones that the minute you hear it, you think of a movie that it was in. I can think of plenty of tunes like this.

    LIKE….

    My favorite movie is Dirty Dancing, and I’m not ashamed to admit it. I have every line memorized and when I was younger I watched it everyday. (I’m sure I just lost some street cred, that is if I ever had any at all.) So you can see why this song gets me every time. So here’s a special treat the song, AND the final dance from the movie.

     

    Okay, okay you might not be a fan. Let’s try another one. Let’s try another movie that I shamelessly loved. Pretty Woman. I know, the storyline is so unbelievable, what prostitute turns down a penthouse and bank account?

     

    Okay, if there is a male soul still reading this, thanks for suffering through those last two songs. You’ll have to pardon me, all I can think about is love songs and love-related things. One more week and I’ll be back to normal after the wedding… promise. Here’s one last song that everyone can appreciate. Beverly Hills Cop! Possibly the only synth-pop hit ever…

     

    Want more? Check out this Spinner article about the 77 most unforgettable songs from movies. It’s pretty awesome.

    Also, looking for a movie with great music? Make sure to come out to The Paramount this Thursday. The Appetizer is sponsoring a viewing of the  new documentary Echotone. Here’s a blurb about the film:

    “Internationally known as ‘The Live Music Capital of the World,’ Austin’s music culture has led it to become one of the world’s most sought-after destinations. As nearly two dozen high-rises pop up throughout the city amidst the current economic downfall, how does the working musician get along? ”

    So if your in or around Abilene, come by and hang with us. For more information, stop by our facebook page.

     


  8. Looking Around

    June 13, 2011 by DGrantSmith

    I have to admit that I’ve not been really good these past couple of weeks at adventuring out and listening to new stuff. I’ve received some excellent new albums in the mail and they’ve piled up until late last week when I finally took the time to sift through them and discover the textures of their musical flavor. For the most part, I’m very satisfied, and I’ll be including some of this new stuff in an upcoming episode of The Appetizer.

    Included in this new mix of music are some brand new releases from indie artists like The Antlers, Jill Andrews, and the Gaddabouts. All of these bands/artists have new material that is either about to be released, or was just recently released. You can click on their links to go find out more of where to pick up their albums.

    What I want to do here is give you a little review of each album, suggest a favorite track of mine, and connect you with the opportunity to pick up some great new music.

    (5 Star Rating System- 1 Star =Very Poor, 2 Stars= 1 song is decent and that’s about it, 3 Stars=Most of the tracks are ok, a few are pretty good but overall the album is average at best, 4 Stars=A solid album with good songwriting and instrumentation on majority of tracks, 5 Stars=Excellent album that you must not only check out but strongly consider adding to your music library)

    The Antlers-Burst Apart
    4 1/2 Stars

    Early on in listening to these guys I felt some sort of inclination like I’ve been listening to these tracks for year, though the album just came out. I know that might sound like or seem as if I’m implying that this is either a cover album or they ripped off some people. That’s not the case at all. It’s like meeting someone and over coffee you have the feeling that you’ve known the person your whole life. That’s what I felt when I listened to these songs the first time. And with most things that stick with you over the years, it’s really good. Though I work in radio and music, I’m a little lacking in being able to put the right key words on classification for music styles. I would consider The Antlers to be in the styles of rock, ambient, and alternative. If their fans have other classifications, awesome. If those are styles of music you like, I would highly encourage you to check this one out. Standout tracks to me are Every Night My Teeth Are Falling Out, which has a Death Cab feel to it early on but takes on a life all its own about midway through, and French Exit which has this really cool groovy riff that starts the song and builds this nice instrumental progression into the song and maintains this smooth yet hip rhythm throughout. It’s more than these two tracks, obviously hence the rating. But these are a great place to start. Or start below and proceed from there.

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    Jill Andrews-The Mirror
    5 Stars
    I can’t remember who it was that first told me about Jill Andrews but I will say that once I heard her I was sold. Amazing folk music and great vocals to boot. Though her self-titled EP contained a lot of slower and somber tunes, this new album is upbeat, optimistic in content, and has a lot of different dynamics at play. This album has an upbeat jazz-folk-rock feel to it, reminding me a little of A Fine Frenzy. Every song is well-crafted and excellently delivered. It’s hard for me to settle on one song, but here’s a sample of how tasty this album is.

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    The Gaddabouts-2011 release
    4 1/2 Stars
    I think just about anything Edie Brickwell puts her hand to, and her name on is worth taking home, or as they say “worth writing home to Momma.” The Gaddabouts are one such thing, as Edie is both a contributing performer and songwriter. Along with her are founder Steve Gadd, Pino Palladino (bass and some guitar), and Andy Fairweather Low(electric and acoustic guitar and background vocals). One side note is the album cover, which is another thing that drew me to this album. I love classic antique radios. Incorporating their band name into that look is very sweet. The sweetness continues throughout the music on the record as well. The sound is folk with dashes and seasonings of big band, jazz, Lousiana blues, and rock. There’s not one style that is dominant on the record, which is another refreshing thing, something Brickwell and Gadd both excel in. Listen below for a sample of what you could write home about.

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  9. Hearing music from a different light.

    June 10, 2011 by Meagan Freeman

    This week we have been talking about our exclusive session with William Fitzsimmons and Jake Phillips. Yesterday D Grant shared his personal experience of the whole thing. So now after reading his thoughts, I thought I would share my own.

    William tunes up before his acoustic set.

    First of all I had been a fan of William Fitzsimmon’s music long before meeting him, but now I realize I wasn’t getting the full power or meaning of his music. During the session, he shared the meaning and inspiration of his songs. After hearing the meaning, it was like listening to a completely different song. For example, I have heard his track, “Beautiful Girl” a hundred times, but that day after explaining the song was about a girl with an eating disorder, and how she could overcome her problems. That she was a beautiful person no matter her situation.

    It makes such a difference knowing the emotions, stories, and effort behind his music. I can appreciate his music even more now. Not every musician puts a lot of creative effort and emotions into music anymore, so it was good to be able to meet one who believes music can be used as a form of therapy, to express and tell stories.

    In this week’s episode of The Appetizer, D Grant will delve deeper into our session with William Fizsimmons and Jake Phillips.

    Jake Phillips, D Grant, and William Fitzsimmons pose for a photo after the session.

    This session will air Saturday afternoon at 3P on KVLU-1 in Beaumont, TX, Saturday at 9PM on KACU in Abilene, TX, and Sunday at 9PM on KTRL


  10. Our William Fitzsimmons & Jake Phillips Experience @ Flyboy

    June 9, 2011 by DGrantSmith

    On March 3, 2011 we hosted two great indie artists in our city. I wanted to share the experience I had with you. First, I need to give a little history and/or context.

    Back in 2006 Myspace wasn’t what it is today. I got an account and started hearing some music I’d never known about before. From 2006-2009, Myspace was a mecca for me and others like me who wanted to discover unknown and emerging artists who had a lot of talent but not necessarily the money to really promote themselves. Don’t get me wrong, there were a lot of lemons out there too, there still are. Or perhaps I should say there were and are a lot more people with some good ideas and a little talent, but need experience and mentoring before they’ll really be able to market their work in a successful way. During this time, I discovered some excellent indie artists like our good friends Lindsay Katt, Jerzy Jung, Bess Rogers, and William Fitzsimmons. The first thing that stuck out to me was the storytelling and the amazing beard. I admit to being a little jealous of guy’s that can grow the big beard. My facial hair doesn’t have that capability, which is why I grew the goatee so long. But I digress.

    Shortly after first hearing William’s music, I messaged him about an interview. He quickly replied and thus began our friendship. Over the years, I’ve been able to keep up with his writing and music through phone interviews and concert interviews. In the interview we’ll present this coming weekend, I reference an interview I did with him in the backseat of a friend’s car, which we also did with indie artist Rosi Golan whom he was touring with at the time. That was a trip, and both were great sports about it.

    Me laughing with William and Jake, Elliott Park is setting up the mic

    Since 2006, I’ve been working and scheming to get William out to Abilene, namely to perform at our beloved Paramount Theater in a concert series with public radio station (and carrier station) KACU. Finally after 5 years, my colleague and friend Barry Smoot worked it out and scheduled William to perform at the Paramount in a special performance right after the release of his 2011 album Gold In The Shadow. It would be a special concert before his tour began to promote the album, and would feature his good friend Jake Phillips, who was on his tour with Rosi a few years ago. This concert set up an in-studio session with William and Jake that we recorded at Flyboy Studio the day before. The session was recorded and engineered by Elliott Park and Jeremy Strom, whose work and expertise made this a greater experience than I ever imagined.

     

    From the moment we sat down, it was like a private concert taking place in the studio. William and Jake just started playing around on songs. They hadn’t had a practice time up until that point and were going to be performing together in 24 hours. They went through a few songs from the setlist, which was yet to be written completely at that point. They also messed around with a Creedance Cleerwater cover which I think they should record as a single sometime. I’ll have to look and see if we got that on tape or not. It was cool. Towards the end of our talk he asked me if there was a song I wanted to hear and there was, my favorite from his debut album Until When We Are Ghosts called Find It In Me. Unfortunately Jake didn’t know that one, so they couldn’t do it. But they were both great and cool enough to practice it later on (I can only assume) and performed it on stage the following night at the show, which was amazing.

    There was a lot of joking and just fun. After we’d been recording and taped a lot of the interview portion, my wonderful wife brought us all coffee that she’d crafted at home (down the road from the studio). I don’t want to brag, but she’s the best at a lot of things. You can read her blog located in our Blogroll category called Tales Of A Clyde Woman to know more of that. But even Jake and William noted that it was the best coffee they’d had in a long time. Afterwards, she also had made some desert for us all. A great touch for a show centered around the commonality of food and music.

     

    The conversation involved everything from that interesting interview from Dallas a few years back to the evolution of his songwriting and journey as a human coming to terms with loss and difficulties in life. Fans of his music know that his first 2 albums told the story of how his family dealt with the divorce of his parents. The third record (Sparrow and the Crow) gave a voice to the two parts of that healing process as he continued to dive into the depth of the hurt, loss, and healing. Being a professional therapist and counselor gives him a unique insight into the process of inner healing. But it can also make it more challenging to deal with yourself when the same symptoms are present. That’s something he had to face in his own life, which led to a different kind of music. His new album Gold In The Shadow deals with a variety of different psychological disorders, and the hope of wholeness that anyone who has experienced loss and pain strive to achieve.

    Shameless product placement, you can get your Appetizer mug at our store at http://appetizerradio.com


    I don’t want to give away too much of the session except to say that our time together, as it is with other artists, is laid back and casual and will be presented that way. We’re a place where artists come to chill, and in the process talk about their music and stories and hear a song or two in the process. It’s a like a hang out time at dinner that you the listener get to sit in on as well.

    The radio program has a running time of 59 minutes, which includes the acoustic songs they performed. There was a lot in the interview I had to leave out because of time. If you’d like to hear the uncut interview, you can email us at info@appetizerradio.com.

    This session will air Saturday afternoon at 3P on KVLU-1 in Beaumont, TX, Saturday at 9PM on KACU in Abilene, TX, and Sunday at 9PM on KTRL. Click on the links to go to the station sites to listen live.

    All the photography is the work of the amazing Meagan Hernandez.