As most of you know, radio and TV legend Dick Clark passed away yesterday at the age of 82. Clark was not only an icon in the announcing side of TV and radio music, but also just a standup guy all around. He came from an era of media that is about to be remembered only in history books and wikipedia, as those historical figures pass on into the afterlife. If I think about just that side of things, the passing of the torch from one era’s icons to the next, it’s a little tough. Did we learn what we should have from these people? Did we care to ask?
Clark emerged in the radio/TV media realm not at the dawn of the technology but at the dawn of its popular influence and acceptance in pop culture. He helped make the Top 40 bands of the world popular through his hosting on TV (American Bandstand among others) and radio. The classic “Golden Throat” style of announcing was pioneered by him and Casey Kasem (whom he was and still is confused with sometimes). Modern interview programs for TV as well as radio operate the way that Clark established. Look at the historical footage to see the similarities.
I was not a die-hard fan of Dick Clark but I did enjoy listening to his programs and watching him on TV as a kid. He had such a relaxed, calm presence. I think that’s what drew people to him. You felt comfortable listening to him, and the people he interviewed seemed comfortable talking with him. That ease of connection is something I admire Scott Simon from NPR’s Weekend Edition for. It creates this unique experience as an outsider looking in (or listening in) that makes you feel like you know the person/group featured, like they live down your street and you didn’t know about it. There’s a peacefulness in that. It’s not hard news, it’s not gritty realism. It doesn’t have to be. But it is a unique connection.
Dick Clark, rest in peace. Thank you for what you brought your generation and the generations that have and will follow. Your contribution is greatly appreciated.
Last week I brought you on a journey with me in picking out music for this show, and illustrated the sources of where that music comes from. Suggestions from friends like you are one of the best places for me to get music. This time I want to share with you a little more of the process in the selection, and get down to how the mix is made.
It strikes some people as a completely wild notion to combine the various styles of music I feature each week in one hour’s time. But here it works. 8 plus years and over 450 episodes of this show is proof. So this time, you’re invited to join me in making the mix, and tasting the process of it.
If you missed part or all of the show, you can hear it here until April 27th.
Enjoy!
Song/Artist/Album
The Cascades / Fleet Foxes/Helplessness Blues
Battery Kinzie/ Fleet Foxes/Helplessness Blues
Substitution /Silversun Pickups/Swoon
Oil And Water/Hand Drawn Mountains/Summer Slam Vol. 3 – Disc #3
When My Time Comes/Dawes/North Hills
Get On Your Boots/U2/No Line On The Horizon
Stand Inside Your Love/Smashing Pumpkins/Machina-The Machines of the Gods
Resistance/Muse/The Resistance
Pale Horses/Moby/Wait for Me
Afterglow/Genesis/Platinum Collection
A Little Less/ Jill Andrews/The Mirror
20 Years Of Snow/Regina Spektor/Begin To Hope
Lucky Break/Danny Malone/Cuddlebug
I’m Not The Only One Asking/Mindy Smith/Long Island Shores
Redemption Day/Johnny Cash/American VI: Ain’t No Grave
The subject of the show this week is the process I take when cultivating the music mix. It is a delicate but fun process, and I believe that if you can’t have fun with music, there’s something wrong.
We all have different mixes we put together on our iTunes library (or whatever music library/collection outlet you use). I have a different mix for each episode of The Appetizer. I have a ton of other mixes. I need them. I have a mixes that I keep adding to and some that just stay (usually Top 10 best whatever mixes or something like that). I have mixes that are just great love songs, or excellent covers, or my favorite tunes from a particular year or style, and on and on. You have that too. We all do. That’s what makes the mix I put together each week for the radio program so interesting to me: there’s a chance that you and I have similar mixes, or that I play a song/artist/style you don’t know and then you add something to your mix.
That goes both ways too, you know? Like I’ve said on the show the past few weeks, you are a pretty big source for new music for me. Whether it’s conversations with friends in person or online, you really help pick out some great stuff that gets radio play every week, and I really appreciate that.
As for the subject of how I put together a playlist that features a combination of artists you know and those you don’t, all with some very different styles and music genres, there’s not really a secret to that. Or at least I don’t know of one. I have been doing this show for a long time (since September 2003) and that time with experience does make the mixing and blending more natural. I can say that pairings of songs back to back need a certain flow and feel. You can hear that. A jazz track with a little upbeat drum track flows into an indie rock song. It doesn’t flow into a softer vocal ballad. So when I do pairings, I take songs that flow from one to the other together nicely, so the overall groove of the show doesn’t lose anything (primarily your listening).
It’s in the transitions and segues that allow me to go from one style or artist and switch gears, somethings completely changing into a style that is more upbeat, fast-paced, and progressive. This is illustrated in last week’s final 10 minutes when we heard a few more acoustic tunes and then ended the show with a really progressive track from Stavesacre and a cool punk tune from Face to Face. Truth me told, I’ve been wanting to do that Stavesacre song on the show for a very long time, and I finally just broke down and did it. Some might think it’s too hard rock for the program but it concluded the show really well. If you missed it you can hear it online for another week here.
That’s it for secrets. I think we all know the best ways to do certain things and our experience, expertise, and God-given abilities help us do that, or at least guide the way. If you have any tricks of mixing music and you’d like to share, please do so. Or if you want to keep it to yourself that’s fine too. Keep the mix going, and suggest a track or band. It just might get heard on the show.
This is one of my other favorite Stavesacre songs.
This hour I want to share with you some bands and songs from my personal collection, from very different styles of music. And I will share with you what draws me to these tracks. And you can share with me what you feel about them.
Folk, Singer-songwriter, soul-funk, alternative, rock, punk and even comedy all on the way this hour.
Friends will ask me where I find the music that I play each week on this show. That’s a great question, because it is different each week. Sometimes they come from cds and albums that people send me that strike a chord with me. I love music not found on the radio. One big passion I have is sharing music with you here on the radio that has not been featured on the FM dial before. Another place I find the music featured here is my iTunes library. I think just about everyone has a varied and numerous collection of sound in their iTunes playlist. I love talking with people about music, hearing what they enjoy listening to, and telling them about a new indie artist they might now know about. Usually this leads to more talks about some artists I don’t know about either. Sometimes I come across artists through relationship with other artists. It’s cool to have a band plug another artist. Sometimes I discover new music at concerts. Don’t we all? That’s one of the best things about shows, aside from getting to meet new people is getting introduced to new music from bands, whether you’re a die hard fan or not. Most of the time something new is discovered at a show.
You’re invited to an upclose look at my search for musical flavor. Enjoy!
Song/Artist/Album
Whistle Bird Jenn RawlingTake The Air
You Will Ride With Me Tonight Dar WilliamsIn The Time Of Gods
Dark Hotel/K.S. Rhoads/ Dead Language
Bizness/tUnE-yArDs/W H O K I L L
Eat Healthy/Jim Gaffigan/Beyond the Pale
Spray Cheese/Jim Gaffigan/Beyond the Pale
What Good Is Love (Montreal Mix)/Colin Devlin/The Artist Sampler – Mishara & More
Made Up Of/Barnaby Bright/The Artist Sampler – Mishara & More
Dangerous/Joshua James/The Sun Is Always Brighter (Deluxe Edition)
Velvet Alley (Acoustic)/Strung Out/Prototypes and Painkillers
Sky’s Still Blue/Andrew Belle/The Daylight EP
Money/The Drums/Don’t Mess With Texas: Sxsw 2012 New Music Sampler
When I am looking for what music to include in the week’s radio program, there are a few sources I go to. One is my personal cd and music collection (as I referenced in the previous post). Another source is the artists themselves, or their management and indie reps who send me stuff. On average I get about 2-4 new albums and/or singles from indie labels/promoter/bands each week. Most of them are great and I include something from them in the mix. Sometimes the music lacks something, and therefore you don’t hear it. Sorry, that’s just the way it goes.
Another big source for the music you hear each week is……you. That’s right. I am one person in a world of endless sound. There’s stuff out there that sounds great and I might have heard it already or not. That’s where you come in.
I’ve referenced a friend who has introduced me to a few great albums recently. Our conversations don’t always start with music as the primary subject, but since music is a passion for both of us, eventually it gets there. My friend (also named Grant) has similar tastes to mine, but we are also into very different artists. It was Grant who told me that Chimes Of Freedom: The Songs of Bob Dylan Celebrating 50 Years of Amnesty International was amazing beginning to end. At the time I had only heard a few songs and played one or two on the show. From that conversation I grabbed the whole 4 disc badboy. It was also Grant who turned me onto the tUnE-yArDs, which I’ll be featuring again this week.
All of this to say that you may not realize the influence you have in what goes on the radio. That’s why I want to encourage you to keep communication lines open with me. Commenting here (or any other post) does get read and I do take into account suggestions made. It would be really cool to do a show entirely assembled by fans of the show’s suggestions. You can also comment or post on Facebook too. So what are you waiting for? Let me know some music I need to be playing on the radio. You can suggest artists, particular albums or even songs. Thanks. I really appreciate you. I’ll throw a shout out your way to say thanks.
Since I play a lot of music on the radio program each week that most people aren’t familiar with, I get asked this question a lot: “Where do you find the music you put in the show?” It’s a great question. The answer is actually quite interesting as well. I started thinking about the places where music heard on The Appetizer is found, and I want to share that journey with you.
On this week’s upcoming radio show, you’ll hear about my search for music, and you’ll taste those findings as well. But before we get to there, I wanted to present some pieces of the hunt. I’ve always been drawn to things that are not celebrated by the masses. When I was a kid in middle and high school, I’d jam out to my favorite grunge tracks from Nirvana, Pearl Jam, Soundgarden, and punk bands like Green Day, NOFX, and Strung Out. I realize that I said I am drawn to non-popular things and then I mentioned 4 pretty commercially successful bands. But the songs I love from those bands aren’t popular. They never made it on the radio. I would rock out to the songs on tape (tapes made from other friends or dubbed from cd). Then I’d turn on the radio and want to hear those songs I’d been listening to. When I tuned into the FM dial, I just got the same old stuff over and over again. On top of that, I had to wait forever just to hear the bands I loved, and it was always the same old songs.
I tried a few times to call in and request tracks on the rock stations I listened to. On only 2 occasions did I speak with a person and both times he said he couldn’t play the songs I wanted to hear. It was a late night DJ who said he was taking requests. This was my first introduction to how commercial radio really works. When they say they’re playing a song from an album that they usually don’t, it’s either something the station manager wanted put on or a very special thing they’re doing, or the DJ is sneaking it on in hopes his boss won’t find out. But this is commercial media. Getting a song on the radio is more than just a way to market a band or song to the masses. Artists, commercial artists in particular, make money from the airplay they receive. That’s why Billboard is such a big deal. The more often a song gets heard on more and more stations, the more money artists make. Just so you know, it’s not an enormous amount of money ($0.008 per song per play or something close to that), but for popular artists this is a way to make money. This is also why the Internet as a broadcast outlet is something record companies are trying to regulate as much as they can. It’s a revenue stream that bleeds them of income unless it’s governed.
What does any of this have to do with the story, and the search for music featured on the radio show I host/produce? Simple, there’s a limited amount of real estate in a given day part or hour of programming for radio. With that limited amount of time each hour for music programming, why are we the audience only presented a very tiny scrap of the abundance of musical flavor that’s out there when we listen to the radio? And that’s just a reference to the commercial artists we know about. There’s a TON of music out there from people we don’t know or don’t know a lot of yet. Even as a kid I saw this as a disservice to the listener (me and you). So unconsciously I set out to remedy it. The result is The Appetizer you hear each week. This is why when I play Nirvana, you hear tracks like Drain You and Something In The Way, or when I play Pearl Jam you hear tracks like Sleight of Hand or Low Light. These are deep cuts that deserve to be heard as much (or more) than the hit songs like Smells Like Teen Spirit or Do The Evolution (see videos below).
Part of the hunt for music that I feature on the show is a quest each week into my personal music collection, both cds and my iTunes library. I have great taste in music. If I didn’t, no one would listen to my show. There’s music I love from bands that are very well known but the songs have never been played on the radio. I remedy this by diving into my personal music collection and sharing with you my favorites. I hope you’ll do the same. You can comment here or message me on FB. I’d love to play your favorite songs on the radio and share the love.
While I’m not as much a fan of this song, this is my favorite version of it because you can tell the band is sick of playing the song and kind of make fun of the track
And Todd McFarlane (comic artist and creator of Spawn) did the animation for this video
When a band or artist has a stellar album, why take in just one song? We don’t do that when
we’re eating a great meal do we? I don’t. If it’s good, I get seconds. The same is true
with music, and I’ll serve firsts and seconds this hour. That means more music from
some outstanding emerging artists like Flight Brigade, tUnE-yArDs, and more.
There’s an emerging band with a Southern 70s classic rock sound. From the capital
city of our state and great music, Austin, The Band Of Heathens has a variety of
places to not only hear their art, but pick up a free sample or two. Noisetrade.com
and the band’s webpage have a rich bounty for you to pick up. I have a double portion of music from new and emerging artists as well as some fresh new albums all this hour, except at the end of the show. But that’s because I need you to tell me more music to listen to from those groups. Or any other band for that matter. You can comment below or hit me up on FB. Enjoy!
Song/Artist/Album
LA County Blues/The Band of Heathens/The Band of Heathens NoiseTrade Sampler
Polaroid/The Band of Heathens/The Band of Heathens NoiseTrade Sampler
You Yes You/tUnE-yArDs/W H O K I L L
Doorstep/tUnE-yArDs/W H O K I L L
Closer I Get/Rebelution Feat. John Popper/Peace Of Mind
Sky Is the Limit/Rebelution/Peace of Mind (Dub Edition)
For You/Peter Bradley Adams/The Artist Sampler – Mishara & More
Yellow Moon/Barnaby Bright/The Artist Sampler – Mishara & More
Seven Seas/Flight Brigade/Shaw Court Sessions EP
Sirens/Flight Brigade/Shaw Court Sessions EP
Fate/Young Man/Don’t Mess With Texas: Sxsw 2012 New Music Sampler
Her/Cardinal/Don’t Mess With Texas: Sxsw 2012 New Music Sampler
In Your Head/Winter’s Fall/At All Angles
Saturday Afternoon/The Ams/The Release of An American Soul
Looking for some new music to get through the middle of the week slump? Well, here ya go.
I took a listen to Dry The River’s EP, Weights & Measures.
It should be released sometime in April here in the U.S. I really enjoyed it and I was thinking about sharing it with you guys, and I just came across an interview the guys did with NPR’s All Things Considered yesterday (Don’t worry, I have the link below) and I thought okay, it’s a sign I have to share!
It’s one of those albums that you can listen to and get a few moments of relaxation and peace. I listened to it after a very stressful day and found myself enjoying the music. The EP is a hint of the great full-length album to come. The music has evolved from the guy’s hardcore roots to a more subtle and acoustic sound.
Founded by singer, Peter Liddle, the guys that make up Dry The River have spent their time making music and touring, mostly in the UK. I think they may have done a few shows in Canada, but that is still nowhere near good old West Texas. (Hey guys! Take a trip out to our neck of the woods.) Honestly, all musicians should play a show out here sometime in their career. I have never talked to an artist after a concert in Abilene, where they weren’t raving about the great time they’ve had. (So, hint, hint artists. What are you waiting for?)
Anyways, back to the band. The guys started in the hardcore punk scene, but found their way back to more acoustic, stripped down music, like the music on the EP, “Weights & Measures.” One of the tracks, “Bible Belt” could be called the song that started it all. In the above mentioned interview with NPR’s All Things Considered, the band opened up at the unique story about the video of that song going viral and opening up so many opportunities for the group. The article is a pretty interesting read.
For more information on Dry The River, check out their Facebook page or take a listen to some of their tracks on Soundcloud.
Also, don’t forget to tune into The Appetizer this week. The musical feast will be something you won’t want to miss. BUT, if you happen to miss us, we are saving some leftovers with our new online streaming. Now you can savor the flavors of music wherever you are!
I have to admit, sometimes I am enticed by the intrigue of a piece of music that causes me to listen when I might not otherwise. What do I mean by that? Sometimes the title of a song is intriguing enough to check out on its own. I end up taking in more and more songs from the artist and album because of it. It’s that intrigue that entices me to give it a try. Realizing this small facet is what led me to create the menu for this session together. Music of intrigue in either the sound, the style, the track name or other feature.
Enjoy!
Song/Artist/Album
Near Death Experience Experience/Andrew Bird/Break It Yourself
Silver Harps and Violins/Joe Pug/The Great Despiser
When I Was a Flood/Electric Owls/Cullowhee Songs – EP
Why Am I the One/Fun./Some Nights
Perfect Kiss/Marie Hines/ForYourPlaylist Sampler
Nonfiction Love Song/Jillian Edwards/Galaxies and Such
Apparitions/Seabird/‘Til We See The Shore
So I Shrug My Shoulders/Brass Bed/Midnight Matinee
Stealing Tomorrow (Live)/Great Lake Swimmers/The Legion Sessions
Hollow Bones/Sister Sparrow & The Dirty Birds/Pound Of Dirt
On The Downbeat/The O.C. Supertones/Kickstarter
From the Woods/James Vincent McMorrow/Early In the Morning (Bonus Version)
Death to My Hometown/Bruce Springsteen/Wrecking Ball
The Love Wouldn’t Die/Trevor Hall/Everything Everytime Everywhere