The Appetizer Radio Hour

Serving up your connection to new and emerging artists along with established legends each week.

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Where Radio Took A Turn…..

road-blaster_2 I don’t remember how it first started to bother me, but the concept of music variety on the radio is a misnomer to most of us. Why is that? Some stations used to brand themselves as a “mix of this that and the other.” Some still do. But is that true for you when you turn on the radio? It’s not for me and hasn’t been for quite sometime. It’s generally the same 20-30 songs replayed, rehashed, and regurgitated over and again, and that’s on the “new music” channels. Is this why the Internet alternatives like Pandora, Spotify, and even independent radio have become such a mainstay for us?

Somewhere in time radio lost touch with itself, its purpose, and its audience. What would the internet be like today if pop and Top 20 hit stations hadn’t existed in the 1960s, 70s, 80s, 90s, and present? What is pop radio had died off in the 70s and 80s and more of the underground sounds coming out of New York, Los Angeles, London and elsewhere had been given a more adequate airtime in the 70s and 80s, how much different would our listening experience be like now? Would Pandora or Spotify have even been invented? Would we need it?

I venture to say that radio took a turn for the worst in the heyday of pop music, when acts like The Beatles, The Beach Boys, Elvis Presley and the like were making Rock n’ Roll the most popular movement in music. Yes, that was over five decades ago, but we’re still reeling from its effects. Pop music revolutionized our culture and the way we experience music. Yes, other forms of radio and music consumption also emerged in the following years. Country, R&B, soul, metal, hip-hop, Christian, and even Classical and news programming all found carrier stations to showcase those artists and acts. But pop radio has continued doing what it’s always done this whole time: only giving listeners the same rehashed, generic 20-25 songs every day. No wonder people have been driven to alternatives for music consumption as of late.

I do remember when I decided to do something about this problem, which was when The Appetizer Radio Show was born (September 20, 2003). I knew that what I enjoyed listening to at home and in my CD collection was music other people enjoyed too, they just didn’t have access to it. But what if they were given access to it? What if the indie and unknown or even underground bands my friends and I were jamming to could be heard on the radio? How much of a better listening experience could we all enjoy?

tumblr_m4c85xyckW1qjz14io1_1280I realize I’m not the only person in the world who has had this notion or idea, which is why Public Radio has seen an increase in its audience size over the past two decades. I expect that to continue. But tragically and mysteriously, Public Radio and independent media outlets continue to fly below the radar for the greater populace. This is sad because most people would love to have regular access to something other than fast-food on a daily basis, and that’s exactly what pop radio is: it’s the generic dollar menu version of fastfood. The recipe is simple, the cost is cheap and you can get limitless amounts of it if you’ll just subject yourself to the same old thing again and again. I know I would much rather dine on something more akin to a Chipotle burrito on Monday, a supreme pizza Tuesday, a thick Rueben sandwich Wednesday and so on than only have the selection of the dollar mini-cheeseburger or 2 tacos for 99 cents. Wouldn’t you?

Vids from Stellar Sampler Menu

I mentioned this past week that some of the tracks had some awesome videos made when they came out. Primarily I was referring to the Foo Fighters track Learn To Fly. That debut album and the sophomore release from FF had some of the best videos of the era, all with an incredible serving of humor and wit.

I wanted to post some of these videos for you to enjoy again and again, as I have while putting together last week’s radio show. Enjoy!

(a personal favorite Green Day track)

What I Want in 2013

Greetings! I hope your holiday season was full of richness, peace, and blessings. And a few gifts too.

It’s been a little while since we (The Appetizer team) published something here other than our weekly playlists for the radio show and updating of the Listen-Now/Program-Archive pages.

I just wanted to say a brief and quick hello again to you, thank you for your continued faithfulness to this endeavor in music and entertainment and post a few goals/resolutions for this new year. I actually hate saying resolutions because most of the time those are forgotten within the first month of setting them. Instead there are 3 things I’m investing my attention to this year and I wanted to share them with you.

First, I want to have more peace in my work and job related endeavors. I think we can all relate to experiencing some level of stress professionally. I’ve found that I internalize my stuff too much. That has bad health implications including tension and lack of sleep. Needless to say it’s unhealthy and that’s my fault. So this year I’m investing my time and energy into finding balance between life and work so that I don’t bring too much home with me. And what I do bring home has its place. I’m learning some relaxation techniques through Tai Chi that have already helped in relieving stress.

Second, I want to grow in my strengths and talents. I spent some time last year diving into the Strengths Finder stuff and discovering what’s inside me, what I excel at. I’m going to spend more time investing in the pieces of myself that I was programmed to excel at. One of those has to do with growing relationships. I’m spending this year diving deeper into relationships with friends new and old and growing in that way.

Lastly, I want this year to be full of collaboration with people specifically with The Appetizer. I incorporated the program into a business four years ago because I wanted to take the next step with the endeavor and go for it. But I also wanted to build something with other people and not just do an individual thing. I am thankful for the assistance and help that I’ve had over the past few years from people like Meagan Freeman, Martha Chace, Elliott Park, and others. At the same time, each week’s production, programming, and work is done by me. I haven’t fulfilled the side of this thing that got me excited in 2009 in building something with others. That changes in 2013.

What does that mean (#3 specifically)? It means I’ll be asking more from you to let your voice me heard and I’ll be giving you more opportunities to participate with me in showcasing music and sound. I don’t know what it will look like specifically but I’m open to ideas. What are yours?