The Appetizer Radio Hour

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The Hunt For Great Music

Since I play a lot of music on the radio program each week that most people aren’t familiar with, I get asked this question a lot: “Where do you find the music you put in the show?”  It’s a great question.  The answer is actually quite interesting as well.  I started thinking about the places where music heard on The Appetizer is found, and I want to share that journey with you.

 

On this week’s upcoming radio show, you’ll hear about my search for music, and you’ll taste those findings as well.   But before we get to there, I wanted to present some pieces of the hunt.  I’ve always been drawn to things that are not celebrated by the masses.  When I was a kid in middle and high school, I’d jam out to my favorite grunge tracks from Nirvana, Pearl Jam, Soundgarden, and punk bands like Green Day, NOFX, and Strung Out.  I realize that I said I am drawn to non-popular things and then I mentioned 4 pretty commercially successful bands.  But the songs I love from those bands aren’t popular.  They never made it on the radio.  I would rock out to the songs on tape (tapes made from other friends or dubbed from cd).  Then I’d turn on the radio and want to hear those songs I’d been listening to.  When I tuned into the FM dial, I just got the same old stuff over and over again.  On top of that, I had to wait forever just to hear the bands I loved, and it was always the same old songs.

 

I tried a few times to call in and request tracks on the rock stations I listened to.  On only 2 occasions did I speak with a person and both times he said he couldn’t play the songs I wanted to hear.  It was a late night DJ who said he was taking requests.  This was my first introduction to how commercial radio really works.  When they say they’re playing a song from an album that they usually don’t, it’s either something the station manager wanted put on or a very special thing they’re doing, or the DJ is sneaking it on in hopes his boss won’t find out.  But this is commercial media.  Getting a song on the radio is more than just a way to market a band or song to the masses.  Artists, commercial artists in particular, make money from the airplay they receive.  That’s why Billboard is such a big deal.  The more often a song gets heard on more and more stations, the more money artists make.  Just so you know, it’s not an enormous amount of money ($0.008 per song per play or something close to that), but for popular artists this is a way to make money.  This is also why the Internet as a broadcast outlet is something record companies are trying to regulate as much as they can.  It’s a revenue stream that bleeds them of income unless it’s governed.

 

What does any of this have to do with the story, and the search for music featured on the radio show I host/produce?  Simple, there’s a limited amount of real estate in a given day part or hour of programming for radio.  With that limited amount of time each hour for music programming, why are we the audience only presented a very tiny scrap of the abundance of musical flavor that’s out there when we listen to the radio?  And that’s just a reference to the commercial artists we know about.  There’s a TON of music out there from people we don’t know or don’t know a lot of yet.  Even as a kid I saw this as a disservice to the listener (me and you).  So unconsciously I set out to remedy it.  The result is The Appetizer you hear each week.  This is why when I play Nirvana, you hear tracks like Drain You and Something In The Way, or when I play Pearl Jam you hear tracks like Sleight of Hand or Low Light.  These are deep cuts that deserve to be heard as much (or more) than the hit songs like Smells Like Teen Spirit or Do The Evolution (see videos below).

 

Part of the hunt for music that I feature on the show is a quest each week into my personal music collection, both cds and my iTunes library.  I have great taste in music.  If I didn’t, no one would listen to my show.  There’s music I love from bands that are very well known but the songs have never been played on the radio.  I remedy this by diving into my personal music collection and sharing with you my favorites.  I hope you’ll do the same.  You can comment here or message me on FB.  I’d love to play your favorite songs on the radio and share the love.

 

While I’m not as much a fan of this song, this is my favorite version of it because you can tell the band is sick of playing the song and kind of make fun of the track

 

And Todd McFarlane (comic artist and creator of Spawn) did the animation for this video

Great Music Resources

I do want to say a very big thank you to YOU, for checking out our little music blog. Whether you stumbled onto us through a Google/Yahoo/Bing image search, or you were on another blog that linked you over here, or you’re a fan of our radio program and you check out what we’re doing each week, thanks for checking out our page. This blog is a supplement to our music program The Appetizer, heard weekly on public radio stations across Texas and online anywhere in the world. If you want more information on the show, send an email to info@appetizerradio.com.

As I mentioned, we’re connected to some other great resources for music, namely indie music, and we appreciate the collaboration with Matt Dyson at Dysonsound, Will Oliver at Weallwantsomeone, and Heather Browne at Fuelfriends. Every week each of them are discovering some great new flavors of music and sharing it with us so we can immerse ourselves in fresh sounds. I encourage you to add them to your blogroll.

One other great resource for music, and one we refer to frequently, is Noisetrade. It’s an excellent resource for both bands and fans as a way to hear organic and fresh new music from known and unknown indie acts, all for free. On top of the music and samplers and special EPs, is there blog which gives unique insights into the artists and the recordings. You can check out their blog here.

We’re in the process of reformating and reworking several components of our platform, including how we work this blog. If you have suggestions on how our blog could be better, or what you’d like us to talk about or feature more, please let us know. You can send us an email (address above) or comment here. Serving you with what you want is how we work the best. Thank you.

Dreams and Reality

Usually I don’t remember what I dream. But last night I had a dream that was both good, and one that I remember. All the details escape me, but the gist of it was the Bruce Springsteen was going to be doing a show in Abilene at The Paramount, and I was helping set it all up. In getting all the equipment and pieces together, Bruce was running through his setlist and I noticed he’d put a few songs on there that were never popular for him, but songs I really like. You’ll Be Coming Down and Long Walk Home were two of them. He asked me if I could play harmonica and I said no. I can’t make anything sound right in a harmonica. He said that’s ok, that he’d play the harmonica (phew!) and asked if I’d play guitar on You’ll Be Coming Down. I was surprised and ecstatic at the same time. Holy crap, Springsteen wants me to play guitar with him on stage?!? So I spent the rest of the dream getting ready for that song. I do play guitar but I’m not the caliber musician to be on the same stage as a rock legend. I think I woke up right after that part, of practicing that song and looking forward to the show. And I do remember wondering how his saxophonist Clemons was doing, because somehow in the dream I knew he’d been in the hospital. Wild.

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I share that because it was a good dream, and those are fewer and far between than they used to be. I don’t know why. Things aren’t depressing in my life or anything like that, it’s just that I don’t recall having good dreams often. Plus, I’m a huge fan of The Boss, so that plays on it too. I’m not going to think too hard about what the dream means, just take it as a good thing to wake up with.

Andrew Belle performs with The Appetizer at Flyboy Studio

But we are featuring some great sessions with artists that came into town to play shows over the past few months. We featured our session with William Fitzsimmons last week. This week we’ll showcase our fun time with Andrew Belle and Graham Bechler. I’d become a fan of his music a few months before we booked the interview, and had really been playing his album The Ladder on repeat leading up to our session. I was listening to it so much because it’s a great album, with a lot of different feels in the music, not just the standard 4/4 folk or rock tune. He has a few songs that have a waltz touch to them, Static Waves in particular. The recorded track features the talents of indie artist Katie Herzig. The live acoustic song is still cool, but lacks the waltz nature that record owners are used to hearing. Still, Andrew played a great show at Monks Coffeehouse, and our session at Flyboy Studio was excellent as well. That’s what we’ll be presenting on the next episode of The Appetizer. This track is called My Oldest Friend and it’s about a big confrontation he had with his oldest childhood friend that led to a fight and a disconnection in their relationship.

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Looking to the next few weeks, I’ll give you portions of a long and very enjoyable conversation I had with George Pendergrass on April 1st. George and I have become good friends over the last several months, and I’ve learned a lot from him and his experiences in music and life. George is a former member of the group Acapella, he’s toured the world and performed on stage with U2. But he’s also one of the most down-to-earth people I know. We talked about transition in life, about teaching young generations about the reality of life and success, and the power of music. Plus, Elliott Park and George recorded a track together. It’s really powerful and that’s what’s on the show on June 18th.

And we’ll close out the month with our session with Matt Morris. That was a really cool and fun experience and it was so much more than just an interview and some acoustic songs. I got to spend time with a really great musician and fantastic human being and my lovely wife got to be apart of it too. Plus we had a magnificent culinary experience at Bonterra Blu. All that coming up June 25th.

That’s a little insight into me and a small preview of what’s coming up on the show. Enjoy the music. If The Boss came to Abilene, would you all show up?