The Appetizer Radio Hour

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The Appetizer

Splendid Spread Menu

This week a spread of musical flavor that comes from not only a variety of styles, but also some new artists that I was introduced to recently and want to share with you. The resurgent style of pop and Motown (made famous by Amy Winehouse) has a new artist with some excellent songwriting-Chantal Claret. My friends from Illinois who brew some of the best blend of Celtic and Punk Rock, Flatfood 56, have a new song out (free through our FB page). Also new music from Brandi Carlile that is available for free online and a bunch more. Oh, and if you’re not a follower/fan of The Appetizer on Facebook, then you’re missing out on finding out which of these songs are available online for free. So do yourself a favor and connect with us. It’s worth your time. Enjoy!

Song/Artist/Album

Wild Ride/Fleur Jack And The Jandals/The Ghosts Of Cimarron
Man Vs. Nature/Young Believers/Man Vs. Nature-Fear Walks With You

Cant Save Her/Chantal Claret/The One, The Only…
Stay Humble/Tyler James/It Took The Fire
Rosalee/The Christian Robinson Brotherhood/Big Moon Ritual

Elouise (Lost EP Version)/The Lumineers /Tracks From The Attic
Song For You/Jenny & Tyler/Faint Not

Blue Skies (Cover)/Brandi Carlile/Tiffany & Co (final master)
King Of The Mountain/Kate Bush/Aerial: A Sea of Honey

Mary/Sparkadia/TOYOTA ANTICS Sampler 4

Florida /Princeton/ Remembrance Of Things To Come
I Believe It/Flatfoot 56/Toil

The Plane/The Natural Shocks/Complete With Comfortable Lighting
Ever Since/The Natural Shocks/Complete With Comfortable Lighting

Lovely Thing/Harper Blynn/Busy Hands

A Tribute to Adam Yauch: Remembering a Beastie Boy

As most of you will already know, two weeks ago the world lost a talented and much-loved man. Adam Yauch, popularly known as MCA, a rapper from the Beastie Boys, died after a three year battle with cancer. His death was unexpected and sent shockwaves through the music industry and fans alike. At the age of 47, Adam Yauch has a left a legacy in hip-hop, the entire music industry, and the world of film. His unique, evolving style and unfaltering integrity throughout his career was a shining light that other famous musicians aspired to.

Early life

Adam Yauch

Adam Yauch 2006

A single child born in Brooklyn, New York, Adam learnt to play the electric guitar while at Edward R. Murrow High School, and soon formed a hardcore punk band called the Beastie Boys with Michael Diamond, Kate Schellenbach, and John Berry. Their first gig was on his 17th birthday, but soon the band broke up. Adam and Michael, with the addition of Adam Horovitz, changed the Beastie Boys into a hip-hop trio, and by the time Adam was 22 the Beastie Boys, aka MCA, Mike D, and Ad-Rock, had released their first album, Licensed to Ill.

Anyone who has the slightest interest in music will know full well how successful the Beastie boys have been over the years, and the amount of awesome music they have graced our ears with. Just last year they released their eighth studio album, 25 years after they released their first. Adam’s voice resonated throughout their illustrious career, his deep and raspy vocal sound fitted perfectly with his upbeat and sometimes satirical lyrics. Adam thought a lot about what he rapped about, and never lost his integrity as himself and the Beastie Boys rose to fame. Even after he had all the cars, clothes, and platinum cards he ever dreamed of, Adam kept his feet firmly on the ground let the fame get to his head.

Awesome music

Beginning with one of the Beastie Boys best known tracks, and the song that still gets dance floors jumping to this day, ‘(You Gotta) Fight For Your Right (To Party)’ never fails to get a party pumping. Advocating some of the less finer things in life, like beer, pornography, and general raucous behaviour, this track will never get old.

In their track ‘Sure Shot’ from their 1994 album ‘Ill Communication’ the emphasis on beer, parties and girls has changed somewhat, and soon their lyrics changed to reflect the band member’s different outlook on life. In one line rapped by Adam, he says “I want to say a little something that’s long overdue, the disrespect to women has got to be through. To all the mothers and the sisters and the wives and friends, I wanna offer my love and respect till the end.” As their music matured, MCA, Mike D, and Ad-Rock expressed their new outlooks through their rapping, and drew in many more fans.

Not just about the music

The thing is, even though Adam is best known for his place in seminal rock-rap group the Beastie Boys, he was involved in much more than the music business. Working with charities and producing films were just two of the other activities he busied himself with. Adam converted to Buddhism at the beginning of the 1990s, and became heavily involved in the Tibetan Independence Movement. He even created the Milarepa Fund, a not-for-profit organisation that helped to raise money and awareness for the Tibetan Independence Movement, and held a number of charity concerts including the Tibetan Freedom Concert.

Adam also tried his hand at film directing and producing. He directed a number of the Beastie Boys music videos under the pseudonym Nathaniel Hornblower, including ‘So What’cha Want’ in 1992 and ‘Intergalactic’ in 1998. By 2002 he co-founded an independent film production and distribution company, Oscilloscope Laboratories, and was heavily involved in some the films they released. He directed the 2006 Beastie Boys concert film ‘Awesome; I Fuckin’ Shot That!’ and a basketball documentary in 2008 called ‘Gunnin’ for That #1 Spot.’

Sorely Missed

Tributes and messages have poured out since news of Adam’s death was released. Eminem said that, “Adam Yauch brought a lot of positivity into the world, and I think it’s obvious to anyone how big of an influence the Beastie Boys were on me.” Fellow Beastie Boy Mike Diamond wrote, “The world is in need of many more like him. We love you Adam.” There is no doubt that Adam will be sorely missed by people across the world.

Adam ‘MCA’ Yauch; 1964 – 2012

The V in Variety

V is an interesting letter. It’s exactly in the middle of my first name, and it holds the two D’s together with the vowels. When I think of V, I think of Variety. This week while composing pieces for the upcoming edition of The Appetizer, Variety was at the heart of what I am serving up. Here’s why.

The Appetizer was birthed in September of 2003 out of a desire I had to hear music on the radio that I was actually listening to. I’m sure you can relate. When was the last time you heard your real favorite songs on your iPod on the radio? Isn’t this what fuels people to plug into Pandora and Spotify? I’ve been in radio since 1997, and even then my desire was for the airwaves to be full of music that was unique and that not everyone was into. If every station across a town is playing “Pop” music, that’s like every restaurant in your town serving only hamburgers and fries. Sure it’s tasty once a week or so, but it gets old really fast.

I have really diverse tastes in music. I bet you do too. I’m not sure if there are certain seasons where I listen to some types of music more than others, but I like some very different styles of music. I love punk rock, especially stuff from the 90s (No Motiv, NOFX, etc), and yet I also love acoustic singer-songwriter(Iron & Wine, Brandi Carlile, etc). I love grunge (Pearl Jam is one of my all-time top 5 faves) and I love hip-hop, but here I’m much more selective. It’s honestly more of a closet fan and don’t know a lot of every style or artist. My favorite artists are 2Pac, Jay-Z, Nuwine (now called Wine-O), and K’Naan.

I think what draws me to this style is beyond just the talent it takes to flow rhymes together in sequence, and even more than the talent of the beats is some of the stories told in rap, even hardcore rap. I’m drawn to stories that grip me, that I feel something I haven’t experienced before. Rap does that for me. I didn’t grow up in a place where I had to hustle to survive, where bullets riddled the streets, and I was in danger every day. While that’s not I life I seek, those who have experienced it and survived, and made a way for themselves and others to get out of it is inspiring. Yeah in the midst of those inspiring raps there are claims of how many people the rapper has shot, how tough they are, what happens if you cross them, and all that. I chalk that up to the lingo and vernacular of the geography of the streets. It’s hard for someone who hasn’t lived that or experienced it to just judge it on the cover premise alone. My family raised me in church. Church lingo and vernacular doesn’t make sense to those on the outside of it. So it’s the same thing. There’s a lot of crying out to God for rescue in rap. That brings it all around, and makes it where everyone can relate. Isn’t that a similarity in every style of music. “Oh God Help Me!” I think something along those lines and cry is in every style of music in every language, in every century. “I love you!” is as well. That’s in every variety of musical flavor.

I’m not into the overly sexualized side of this music, but I’m not into that in any style either, where women are talked about like property or good for only a one-time encounter. So please don’t accuse me of being someone I’m not by being into this stuff. I say that because I’ve heard those comments from people in reference to rap. I’m also not into condemning and judging people based on their lifestyles, and I know plenty of religious self-righteous people who do this stuff. So just because I believe and love God doesn’t make me a hater on everyone who doesn’t go to church or speak in Christian-ese. And listening to rap, or hardcore rock/screamo (which is another favorite) doesn’t make someone inherently evil. Ha, glad I got that out.

Some of my friends and family that regularly listen to The Appetizer every week might think they want to sit out this week, since I’m doing something outside the envelope. But let me ask something of you, that my mom used to ask of me (actually I didn’t have a choice, but you really do). I remember sitting down to Sunday dinner and she cooked up asparagus (which smells horrible!). I looked at it and said (in a whiny, irritable tone) “I don’t like that and I don’t want to eat it.” She told me to give it a try. “You never know, you might actually like it.” Turns out she was right. I frickin’ love asparagus!

If you give it a shot, and join me in the process, you’ll see how hip-hop is really already in a lot of musical flavors, many of which you probably love. It’s wild but I realized that until this week, I’ve left out one of the styles of music I love a lot on The Appetizer. The past several months I’ve been stretching the palates of people tuning in to include more progressive rock, some country, and other styles. But I haven’t included something that is part of me-hip hop. Not anymore. This coming week, join me in a unique music experience, as I put the V back in Variety in a Hip-Hop Salad. More to come!